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No, not Shrinking. → Read More
Last Dance starts with a bang, but it misunderstands the appeal of the franchise. → Read More
The guy behind Glass Onion is back with another smart, snackable mystery. → Read More
Farewell to the 2022 Slate Movie Club! → Read More
Slate's 2022 Movie Club, Entry 13. → Read More
Slate's 2022 Movie Club, Entry 9. → Read More
Slate's 2022 Movie Club, Entry 5. → Read More
The Way of Water is most successful as history’s most expensive nature documentary. → Read More
This awards hopeful’s problems run much deeper than fatphobia. → Read More
Its satire might not be as sharp as the original’s, but Glass Onion is no less attuned to how to please an audience. → Read More
The deeply autobiographical The Fabelmans isn’t the gooey valentine to the movies you probably expect. → Read More
Wakanda Forever finds a different way to do something radical. → Read More
The writer-director of In Bruges and Three Billboards has made his best movie yet. → Read More
She Said, Women Talking, and Tár all find power in what they don’t show—to very different ends. → Read More
Tár tells a #MeToo story from the perspective of the alleged perpetrator. What is it trying to say? → Read More
Does the Ryan Murphy show have some artistic merit, or is it just pure exploitation? → Read More
Also, remembering Hilary Mantel, and explaining the chess cheating scandal. → Read More
The movie’s big twist doesn’t work on the level of either theme or plot. → Read More
Also, demystifying the man with Moonage Daydream and discussing documentaries. → Read More
Netflix’s biopic spends so much time pitying the actress that it fails to capture what made us care about her. → Read More