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Theater fans are used to seeing multiple shows with the same name. We all know about the dueling WILD PARTYs. Yet the producer of ANNE OF GREEN GABLES: A NEW MUSICAL has felt the need to go to court to ask the court to declare the show legally entitled to keep its name. → Read More
Jujamcyn Theaters’ fight for Covid-related insurance coverage has suffered a mighty blow. A Court in the Southern District of New York, which is a federal court, decided against Jujamcyn in its lawsuit against Federal Insurance Company and trimmed Jujamcyn’s case against another insurer, Pacific Indemnity Company. → Read More
As last year wound to a close, the Hal Luftig Company, Inc. (which I'll call the 'Company' for short), well-known producer Hal Luftig's theatrical production company, filed for Chapter 11 bankruptcy. In layman’s terms, the goal is to come out of bankruptcy with a payment plan which will enable the Company to pay off its debts on a set schedule. Meanwhile, Luftig continues to produce. → Read More
Brian d'Arcy James is Tony eligible this season for Best Actor in a Musical for his performance in INTO THE WOODS. But he didn't perform on INTO THE WOODS on what appeared to be the revival's opening night, July 10, as required by the Tony rules for eligibility. So how is he eligible? The Broadway League allowed the show to change its opening night after the fact. → Read More
Sometimes seasons go by without any truly perplexing questions for the Tony Award Administration Committee to answer. This will not be one of those seasons. As I wrote last month, there are close calls on what will be considered a new play versus revival and now thrown into the mix is the play or musical decision involving ROOM. → Read More
We've got the latest scoop on the Equity/SAG-AFTRA streaming deal. Actors Equity Association is no longer in charge of theater streaming, at least according to SAG-AFTRA. → Read More
Back when 2021 became 2022, it was hoped that live theater could return to pre-pandemic normality in the new year. Alas, 2022 was not smooth sailing for the theater. Not only were there still plenty of Covid cancellations, but there were also a host of other problems plaguing the industry. (Many of which were discussed in a prior column, archived here.) In this piece, there are three takeaways… → Read More
By the end of December, there has traditionally been one meeting of the Tony Awards Administration Committee to determine Tony eligibility. This season there has yet to be a meeting, leaving open a big question: which plays will be revivals and which will be new. → Read More
Broadway’s one-man A CHRISTMAS CAROL starring Jefferson Mays definitely managed magic. It is a rare show that leads even Broadway regulars to leave the theater going: “How did they do that?” BEAUTY AND THE BEAST, HARRY POTTER AND THE CURSED CHILD and some others have managed, but not many. This show did. → Read More
This past week, there have been updates in a couple of the big theater-related lawsuits. BroadwayWorld has the latest on Paradise Square and Garth Drabinsky, and The New York Post and Laura Osnes. → Read More
Slipping under the radar this past week was the news that Roundabout Theatre Company would not be presenting a winter/spring offering at the American Airlines Theatre for the first time (pandemic excluded) since the space opened in 2000. In fact, Roundabout will not be presenting anything at its three Broadway houses this spring. → Read More
It’s no secret that Broadway has not rebounded to pre-pandemic levels. The Thanksgiving week box office gross was $37,475,773, compared to $41,687,333 for Thanksgiving week 2019. (While fewer shows were playing, capacity was also down, as was average ticket price.) The list of reasons for this is long: tourism is not fully back, we have a strong dollar, Covid is still keeping many traditional… → Read More
Streaming helped the industry stay alive through the pandemic. Now, as audiences are again heading to the theater, many theaters are ceasing streaming options. However, some are digging in on their commitment to virtual viewing. → Read More
The theater we see is not usually a first draft of a work. That seems obvious, but very little press attention is paid to just how a show gets developed. One way has traditionally been through theater development programs. These programs are intensive communal experiences, often pairing the artist with a dramaturg and advisors to develop a piece. → Read More
Other than a handful of playwrights 30 and under, all the playwrights spoken to for this piece believe their sex has impacted their careers in the theater. Women feel that they have trouble getting in the room and being taken seriously once there. But there is something more, a sense that when things get really bad -- beyond mansplaining bad -- there aren't many people to turn to in the theater. → Read More
In late September, The Broadway League and Actors’ Equity Association kicked negotiations into high gear for the next Broadway and sit-down production contract. The last contract expired, but was extended while the two groups worked through various pandemic-related issues. Equity, ever the fan of a social media hashtag campaign, this week asked its members to share the hashtag… → Read More
In this, the second installment in our series on women playwrights, the playwrights speak about critical interpretation of their work and the lack of powerful female critics. Please read Part I here, which discusses the more general issues female playwrights face. → Read More
Stage dooring. Fans love it. Actors are split, and were even before the pandemic. And then the pandemic hit. When Broadway returned, stage dooring did not. It was seen as too big a risk. But when New York County had a low community level of COVID-19 transmission, it was back. Read more about stage dooring in the Industry Insight here! → Read More
In this three-part series, BroadwayWorld spoke to over 20 female playwrights who have been produced in major NY theaters about what life in the theater is really like for them -- and what can be done to make it better. → Read More
Dancer/choreographer/teacher Chet Walker died on October 21 from a glioblastoma tumor. In the latest Industry Trends, his legacy is honored by some of Broadway's most influential dancers and choreographers, including Sergio Trujillo, Andy Blankenbuehler and more. → Read More