April Wolfe, Dallas Observer

April Wolfe

Dallas Observer

Los Angeles, CA, United States

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Recent:
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Past:
  • Dallas Observer
  • Houston Press
  • Westword
  • PhoenixNewTimes
  • Miami New Times
  • Village Voice
  • LA Weekly
  • The Atlantic
  • CityLab
  • Timothy McSweeney
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Past articles by A.:

With Buster Scruggs, the Coen Brothers Fully Commit to Cheery Meaninglessness

In typical Coen fashion, most people in the movie meet ironic or wry deaths, but this time the Coens seem to be actively eschewing any deeper emotional connection between the audience and the characters → Read More

With Buster Scruggs, the Coen Brothers Fully Commit to Cheery Meaninglessness

In typical Coen fashion, most people in the movie meet ironic or wry deaths, but this time the Coens seem to be actively eschewing any deeper emotional connection between the audience and the characters → Read More

Explosive Widows Dares to Be So Much More Than a Heist Flick

This thoughtful, textured story — though brutal at times — stands as one of the clearest depictions of turmoil, racism and nepotism in local politics that’s ever been drawn onscreen → Read More

Explosive Widows Dares to Be So Much More Than a Heist Flick

This thoughtful, textured story — though brutal at times — stands as one of the clearest depictions of turmoil, racism and nepotism in local politics that’s ever been drawn onscreen → Read More

A Bold New Suspiria Stands Alongside the Original — but Next Time Let a Woman Direct

There are some evergreen horror concepts, where the bare bones of the story are strong enough that they can be adapted and made over in multiple generations to express whatever fears and frustrations of the times in which they’re made → Read More

A Bold New Suspiria Stands Alongside the Original — but Next Time Let a Woman Direct

There are some evergreen horror concepts, where the bare bones of the story are strong enough that they can be adapted and made over in multiple generations to express whatever fears and frustrations of the times in which they’re made → Read More

A Bold New Suspiria Stands Alongside the Original — but Next Time Let a Woman Direct

There are some evergreen horror concepts, where the bare bones of the story are strong enough that they can be adapted and made over in multiple generations to express whatever fears and frustrations of the times in which they’re made → Read More

A Bold New Suspiria Stands Alongside the Original — but Next Time Let a Woman Direct

There are some evergreen horror concepts, where the bare bones of the story are strong enough that they can be adapted and made over in multiple generations to express whatever fears and frustrations of the times in which they’re made → Read More

The Sisters Brothers Upends the Masculine Codes of the Western

Ultimately a story about brotherhood, friendship and the insecurity of life in a violent place, the film injects a sweetness and innocence into the genre, mostly through one stellar performance by John C. Reilly → Read More

Jamie Lee Curtis Rules, but the New Halloween Works Against Her

We meet Laurie in her super-sealed woodsy compound, almost 40 years to the day after the murders that took place in 1978 — this film negates all the previous Halloween sequels → Read More

Jamie Lee Curtis Rules, but the New Halloween Works Against Her

We meet Laurie in her super-sealed woodsy compound, almost 40 years to the day after the murders that took place in 1978 — this film negates all the previous Halloween sequels → Read More

Jamie Lee Curtis Rules, but the New Halloween Works Against Her

We meet Laurie in her super-sealed woodsy compound, almost 40 years to the day after the murders that took place in 1978 — this film negates all the previous Halloween sequels → Read More

Jamie Lee Curtis Rules, but the New Halloween Works Against Her

We meet Laurie in her super-sealed woodsy compound, almost 40 years to the day after the murders that took place in 1978 — this film negates all the previous Halloween sequels → Read More

Jamie Lee Curtis Rules, but the New Halloween Works Against Her

We meet Laurie in her super-sealed woodsy compound, almost 40 years to the day after the murders that took place in 1978 — this film negates all the previous Halloween sequels → Read More

Bad-Cop Drama Monsters and Men Channels Helplessness in a Time of Outrage

Monsters and Men, Monsters and Men review, Reinaldo Marcus Green, Anthony Ramos, John David Washington, Kelvin Harrison Jr. → Read More

The Sisters Brothers Upends the Masculine Codes of the Western

Ultimately a story about brotherhood, friendship and the insecurity of life in a violent place, the film injects a sweetness and innocence into the genre, mostly through one stellar performance by John C. Reilly → Read More

Bradley Cooper’s A Star Is Born Earns Every Tear It Jerks From You

To fall in love with A Star Is Born is to embrace these paradoxes and, to quote a song Gaga sings in the film, go “off the deep end” and submerge oneself “far from the shallow.” → Read More

Bradley Cooper’s A Star Is Born Earns Every Tear It Jerks From You

To fall in love with A Star Is Born is to embrace these paradoxes and, to quote a song Gaga sings in the film, go “off the deep end” and submerge oneself “far from the shallow.” → Read More

Bradley Cooper’s A Star Is Born Earns Every Tear It Jerks From You

To fall in love with A Star Is Born is to embrace these paradoxes and, to quote a song Gaga sings in the film, go “off the deep end” and submerge oneself “far from the shallow.” → Read More

Bradley Cooper’s A Star Is Born Earns Every Tear It Jerks From You

To fall in love with A Star Is Born is to embrace these paradoxes and, to quote a song Gaga sings in the film, go “off the deep end” and submerge oneself “far from the shallow.” → Read More