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If you’re not already fascinated by Amina Henry’s Hunter John and Jane — a love story with scary undertones — you’ll probably start paying close... → Read More
There’s a corpse onstage for the entirety of Marcus Gardley’s The House That Will Not Stand: an old white guy, suited up and laid out... → Read More
“Really” is probably the most oft-repeated word in Wallace Shawn’s Marie and Bruce. Characters say it constantly, punctuating assertions and expressions with the dubious intensifier.... → Read More
“Do I keep sinning in order to keep making art?” the playwright Eliza Bent asks, at the end of her new solo piece, Aloha, Aloha, or... → Read More
Under the Radar, the Public Theater’s annual festival of new work, turned the ripe old age of fourteen this year. If the name has become... → Read More
This afternoon, the Public Theater will hold a town hall meeting about sexual harassment and misconduct in the arts and entertainment industries. Invitations were issued... → Read More
Power and misogyny have been in cahoots for a long time — since way before #metoo, way before Harvey Weinstein. In fact, as Annie-B Parson... → Read More
There’s going to be a really long blackout, Heather Christian warns us, sometime during her show. If you’re afraid of the dark, find an usher... → Read More
The history of Western culture is also a history of rape. This is the thesis of Michael Yates Crowley’s pointed satire on American rape culture,... → Read More
There’s nothing more New York than bemoaning the end of an era: the institution as it once was, the neighborhood before it became gentrified. But... → Read More
It’s a transitional moment for venerable downtown institution P.S.122. This year, the organization looks toward its future with a new artistic director, Jenny Schlenzka, who... → Read More
Most summers, August is Fringe time: those steamy weeks when the FringeNYC festival takes Manhattan, occupying nearly twenty theaters with a couple hundred–odd shows. A... → Read More
Underground Railroad Game casts contemporary American racial politics into stark relief → Read More
Taylor Mac’s A 24-Decade History of Popular Music reveals secret truths behind American standards → Read More
Richard Maxwell observes in his new play, Samara, the truly mysterious territory, for everyone, is death, the real point of no return. → Read More
Playwright and director Julia Jarcho's The Terrifying — directed by the author and playing at Abrons Arts Center through April 2 — marks the debut production of her company, Minor Theater. The company brings together actors and designers who have collaborated on Jarcho's past productions, like Ben Williams and Jenny... → Read More
In the fictional events of the play, three young women (Crystal Finn, Vivia Font, and Harmony Stempel) form a special committee deputized to plan Villa... → Read More
'Bull in a China Shop' is based on the decades-long correspondence between Mary Woolley and Jeanette Marks, early feminists, lesbians, and educational... → Read More
It was the social event of 1971, according to Village Voice columnist Jill Johnston: an infamous gathering at midtown's Town Hall to debate women's liberation. Feminist writers and provocateurs like Germaine Greer, Diana Trilling, and Johnston herself confronted the event's moderator, Norman Mailer, whose notorious Harper's article "The Prisoner of... → Read More
Long before Henrik Ibsen revolutionized dramatic form with living-room dramas like A Doll's House, he wrote vast, rambling epics, of which the deliberately strange Peer Gynt is perhaps the most famous — and hardest to stage. It spans a lifetime, traverses continents, and includes encounters with several incarnations of Death... → Read More