Nicky Smith, Splice Today

Nicky Smith

Splice Today

Baltimore, MD, United States

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Recent:
  • Unknown
Past:
  • Splice Today

Past articles by Nicky:

The Screaming Mouth of History

Parallel Mothers is Pedro Almodóvar’s most muted and sad film, haunted by Franco and the pandemic. || Nicky Smith → Read More

Icons Are Made of Mud

Bruno Dumont’s France is a social satire that gets under your skin over time instead of hitting you over the head. || Nicky Smith → Read More

Range Love

The love and lack of sentimentality of William Witney and his movies with Roy Rogers and Trigger, “The Smartest Horse in the Movies.” || Nicky Smith → Read More

Peggy at the AMC

Peggy Noonan and Jen Psaki’s peccadillos and the need for a coronavirus wartime mentality. || Nicky Smith → Read More

My Rite with Maud

Saint Maud is often predictable, but has two great performances by Morfydd Clark and Jennifer Ehle. || Nicky Smith → Read More

No Hope Soldiers

Abel Ferrara’s Zeros and Ones is the first compelling “COVID movie” that works on its own. || Nicky Smith → Read More

Growl of Benedetta

Paul Verhoeven’s very good lesbian nun tragedy is less sensational than some press has suggested. || Nicky Smith → Read More

Neon Grief

Two recent horror films: one kicking (Knocking), one dead on arrival (You Should Have Left). || Nicky Smith → Read More

Moving Images Must Talk

Visual storytelling and its absence in all contemporary TV and too many movies. || Nicky Smith → Read More

Soho No Go

Edgar Wright’s “giallo homage” is dull, uninspired, and far too tame. || Nicky Smith → Read More

Superman is a Fictional Character

He can be gay, have a mullet, or addicted to bath salts. He doesn’t exist. || Nicky Smith → Read More

Just Say No 2021

Strikes, marches, Southwest, and the only way that society will be disrupted. || Nicky Smith → Read More

Sons of Hitchcock

Claude Chabrol, Brian De Palma, and other directors that get left in the middle. || Nicky Smith → Read More

Carroll Baker’s Journey to Italy

The other American movie star to make it big in Italy in the 1960s, but to much less recognition. || Nicky Smith → Read More

Vain Check

Brian De Palma’s The Bonfire of the Vanities (1990) is a compromised masterpiece, more than a criminally overlooked curio. || Nicky Smith → Read More

Bent Cop Turning

Prince of the City is Sidney Lumet’s last masterpiece and one of the best police films ever made. || Nicky Smith → Read More

Speed Mitzvah

Donny’s Bar Mitzvah is rude and relentless, a comedy like Freddy Got Fingered with an airtight script. || Nicky Smith → Read More

Paul Schrader’s Torture Chamber

The rape of Iraq runs through The Card Counter, the coolest-looking movie in theaters right now. || Nicky Smith → Read More

Rambling, Scrambling Joes

World’s masters laugh as Americans fight like crabs in a barrel, while media continues to insist that Biden knows he’s President. || Nicky Smith → Read More

Hanging Puppets in Gallic Purgatory

French Exit is blindingly awful, belonging to the same canon as Life Itself, Collateral Beauty, The Happening, and The Wicker Man remake. || Nicky Smith → Read More