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Mr. Sun’s Hatbox lets you manage a rogue paramilitary operation, AKA a delivery system for a company called “Amazin” that must retrieve stolen packages. It combines the goofy air balloon recruitment mechanic from Metal Gear Solid 5 and the daring 2D platforming of Spelunky. → Read More
The hybrid tactics game on PC, which was released on Feb. 28, features intricate combat between hulking robots. But it struggles to explain its own systems. → Read More
The best horror movies about isolation and fear of disease are more than just reflections of ordinary fears, and The Harbinger shows why — like so many COVID-era movies, it draws on anxiety about disease, but the imagery goes deeper. In theaters and on VOD and digital Dec. 2. → Read More
Anna Diop and Michelle Monaghan star in Nanny, a compelling immigrant story full of horror-movie visions and racial tension in the spirit of Get Out and His House. Debuts in theaters Nov. 23; streaming on Amazon Video Dec. 16. → Read More
Where 'Pentiment' departs from so many other mystery games is in how close the protagonist is to the action. → Read More
The hot streak for Irish animation studio Cartoon Saloon cools with director Nora Twomey’s 'My Father’s Dragon.' → Read More
Moon Knight, Synchronic, and Netflix’s Archive 81 directors Justin Benson and Aaron Moorhead disappear into a meta conspiracy theory in Something in the Dirt, an amiable hangout movie and meta conspiracy theory that floats away on its own gas. In theaters on Nov. 4, and available on VOD on Nov. 20. → Read More
Terrifier 2 started as a small release, but it’s gradually gaining infamy and expanding into more theaters on the strength of David Howard Thornton’s performance as killer mime Art the Clown. Here’s why the exploitative Terrifier movies and shorts have such an impact in the “elevated horror” era. → Read More
Scorn, the first-person survival-horror game on Xbox Game Pass, has grotesque visuals in its H.R. Giger-inspired world, but its gameplay gradually loses momentum → Read More
Rather than feeling grounded in its everyday struggles, ‘Entergalactic’ comes across more like a black hole of imagination. Read our review. → Read More
Nuanced dilemmas quickly fade into the background as Undone adopts a more straightforward format in its second season. → Read More
That Dirty Black Bag sets the stage for an explosion of conflict, but it’s easy to wish that it took less time to pick up steam. → Read More
By Archive 81’s ending, it has all but abandoned the found footage horror that defined the early episodes. Here’s what the best found-footage horror movies look like, and what kind of tradition they’re trying to uphold. → Read More
‘Chucky’ walks a fascinating tonal tightrope as a funny, absurd series that engenders sympathy as well as shock. Read our review. → Read More
The series alternates between internal reflection and bizarre comedy, one impossible to imagine without the other. → Read More
The two episodic-but-not series challenge old and new traditions → Read More
Rotoscope animation is often seen as a reluctant but necessary tool in animation. But things like Undone showcase the medium’s full aesthetic potential. With video games like The Last Express and movies like A Scanner Darkly setting a standard for rotoscoping in animation. → Read More
Shinichiro Watanabe’s unpredictable space opera lacks a unifying brand, allowing it to highlight collaborator’s voices and cover immense thematic ground in 26 episodes. → Read More
The HBO film’s ostensible authenticity does little to add dramatic heft to its stock character moments. → Read More
True Detective: Season Three TV Review by Steven Scaife → Read More