Stacey Anderson, ELLE Magazine (US)

Stacey Anderson

ELLE Magazine (US)

New York, NY, United States

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Recent:
  • Unknown
Past:
  • ELLE Magazine (US)
  • Rolling Stone
  • Quartz
  • Pitchfork
  • The Guardian
  • BuzzFeed

Past articles by Stacey:

Julia Cumming Strikes a Chord

The vocalist and bassist behind the psychedelic melodies of Sunflower Bean on growing up in the East Village rock scene and owning her personal style. → Read More

Government Crack Down on Hip-Hop: Cuba, San Isidro, Russia, and More

All over the world, governments are cracking down on hip-hop lyrics and other forms of protest — with dire consequences for some rappers → Read More

Mitski Doesn't Owe You Any Answers

How the indie rocker inspired me to reject labels as an Asian American woman. → Read More

Beijing Calling: Suspicion, Hope, and Resistance in the Chinese Rock Underground

China has produced some of the most vital indie rock on the planet. But can the scene survive gentrification, government crackdowns, and a hit TV show? → Read More

How TikTok is changing the music industry

Beneath the beats, TikTok has a complex financial structure and formula for popularity that artists and industry insiders struggle to navigate. → Read More

Wipers: Youth of America Album Review

Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the gnarly, psychedelic, and insurrectionary sound of the Portland punk band’s best album. → Read More

Lucinda Williams on the Music That Made Her

The venerable singer-songwriter talks about the artists and albums that have meant the most to her—Sade, Audioslave, Tricky—five years at a time. → Read More

Talking Heads: Speaking in Tongues Album Review

Talking Heads’ fifth album is an inky passport of sounds—art-rock, funk, pop, Afrobeat—meticulously mapped for the collective yet informed by the movements of the individuals. → Read More

Yaeji: What We Drew Album Review

Yaeji’s first full-length mixtape is a subtle, more insular turn for the producer. It plays like a self-issued challenge to strip away the fluorescence, to find what’s underneath pop catharsis. → Read More

Listen to “People, I’ve been sad” by Christine and the Queens

The French avant-pop singer’s latest confessional single is a declaration of resilience → Read More

Listen to “sad day” by FKA twigs

The final single from FKA twigs’ MAGDALENE beckons a lover who’s stealing away. → Read More

David Byrne’s American Utopia Is a Broadway-Sized Plea for Common Ground

“We’re on the road to nowhere” takes on new meaning in the ex-Talking Heads frontman’s latest stage show. → Read More

“Don’t Call Me Angel” by Ariana Grande / Lana Del Rey / Miley Cyrus Review

Say this for Ariana Grande, Lana Del Rey, and Miley Cyrus on “Don’t Call Me Angel”—they do sound independent. As in, on different continents. Their single for the new Charlie’s Angels movie arrives with glitterbomb hype and blockbuster production—and a video that lets Lana achieve her final form of literally throwing knives at The Man—but its glossy execution comes at the expense of any… → Read More

Jamila Woods Breaks Down Every Song on Her New Album, LEGACY! LEGACY!

The Chicago artist’s deeply referential second LP pays tribute to legends like Eartha Kitt, James Baldwin, and Muddy Waters. → Read More

Kelsey Lu: Blood Album Review

Featuring collaborations with Skrillex and Jamie xx, the West Coast transplant’s debut album flips the chamber-folk cello of her debut EP into a contemporary, decidedly Los Angeles hybrid sound. → Read More

An Inventive Leonard Cohen Museum Exhibition Lives Up to His Legacy (Mostly)

Now on display in New York City, “Leonard Cohen: A Crack in Everything” features works inspired by the iconic singer-songwriter that largely match his spirit of elegant austerity. → Read More

David Bowie: Spying Through a Keyhole Album Review

This assemblage of strange outtakes and demos—including what may be the first demo of "Space Oddity"—find Bowie in his tentative folkie phase, about to blast off. → Read More

Billie Eilish: When We All Fall Asleep, Where Do We Go? Album Review

The debut album from the meteoric pop star lives in a world of its own: gothic, bass-heavy, at turns daring and quite beautiful. → Read More

“Wasted Youth” by Jenny Lewis Review

It’s the third single from her forthcoming album, On the Line. → Read More

Dido: Still on My Mind Album Review

The UK goddess of lite pop still sounds serene, unbothered, and preternaturally confident. → Read More