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The vocalist and bassist behind the psychedelic melodies of Sunflower Bean on growing up in the East Village rock scene and owning her personal style. → Read More
All over the world, governments are cracking down on hip-hop lyrics and other forms of protest — with dire consequences for some rappers → Read More
How the indie rocker inspired me to reject labels as an Asian American woman. → Read More
China has produced some of the most vital indie rock on the planet. But can the scene survive gentrification, government crackdowns, and a hit TV show? → Read More
Beneath the beats, TikTok has a complex financial structure and formula for popularity that artists and industry insiders struggle to navigate. → Read More
Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the gnarly, psychedelic, and insurrectionary sound of the Portland punk band’s best album. → Read More
The venerable singer-songwriter talks about the artists and albums that have meant the most to her—Sade, Audioslave, Tricky—five years at a time. → Read More
Talking Heads’ fifth album is an inky passport of sounds—art-rock, funk, pop, Afrobeat—meticulously mapped for the collective yet informed by the movements of the individuals. → Read More
Yaeji’s first full-length mixtape is a subtle, more insular turn for the producer. It plays like a self-issued challenge to strip away the fluorescence, to find what’s underneath pop catharsis. → Read More
The French avant-pop singer’s latest confessional single is a declaration of resilience → Read More
The final single from FKA twigs’ MAGDALENE beckons a lover who’s stealing away. → Read More
“We’re on the road to nowhere” takes on new meaning in the ex-Talking Heads frontman’s latest stage show. → Read More
Say this for Ariana Grande, Lana Del Rey, and Miley Cyrus on “Don’t Call Me Angel”—they do sound independent. As in, on different continents. Their single for the new Charlie’s Angels movie arrives with glitterbomb hype and blockbuster production—and a video that lets Lana achieve her final form of literally throwing knives at The Man—but its glossy execution comes at the expense of any… → Read More
The Chicago artist’s deeply referential second LP pays tribute to legends like Eartha Kitt, James Baldwin, and Muddy Waters. → Read More
Featuring collaborations with Skrillex and Jamie xx, the West Coast transplant’s debut album flips the chamber-folk cello of her debut EP into a contemporary, decidedly Los Angeles hybrid sound. → Read More
Now on display in New York City, “Leonard Cohen: A Crack in Everything” features works inspired by the iconic singer-songwriter that largely match his spirit of elegant austerity. → Read More
This assemblage of strange outtakes and demos—including what may be the first demo of "Space Oddity"—find Bowie in his tentative folkie phase, about to blast off. → Read More
The debut album from the meteoric pop star lives in a world of its own: gothic, bass-heavy, at turns daring and quite beautiful. → Read More
It’s the third single from her forthcoming album, On the Line. → Read More
The UK goddess of lite pop still sounds serene, unbothered, and preternaturally confident. → Read More