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Academy board members open up about the great popular-film-Oscar debacle of 2018, and explain how the prize may yet be incorporated into future ceremonies. → Read More
Donna Gigliotti and Glenn Weiss will take on the Oscars telecast, as the Academy and ABC try to preserve the show’s relevance and ratings. → Read More
Rebecca Keegan’s HWD Weekly newsletter. → Read More
After the disappearance of Saudi journalist Jamal Khashoggi, entertainment-industry ties with the kingdom begin to fray. → Read More
Rebecca Keegan’s HWD Weekly newsletter. → Read More
As prosecutors face a new hurdle thanks to an allegedly withholding N.Y.P.D. detective, legal experts assess the future of the case against the disgraced mogul. → Read More
“The notion that things get lost on Netflix is silly,” Ted Sarandos said at the Vanity Fair New Establishment Summit. “Things get found on Netflix.” → Read More
At Vanity Fair’s New Establishment Summit, Iger shared footage from The Lion King and details from his morning routine. → Read More
In his new book, Who Is Michael Ovitz?, the former superagent wrestles with his reputation as a ruthless negotiator. In this interview, he lives up to it. → Read More
Scam artists have become something of a national obsession as of late. Just in time, this season sees a mini-boom of films that examine literary frauds of a certain vintage, including J.T. LeRoy and James Frey. → Read More
In Tamara Jenkins’s Private Life, Hahn tackles a story rarely told in pop culture, the tragicomedy of the fertility march. → Read More
“You don’t want to overstay your time,” Redford said of his swan-song role. → Read More
Rebecca Keegan’s HWD Weekly newsletter. → Read More
Here’s your first look at Morgan Neville’s documentary about the making of Welles’s fraught final film, The Other Side of the Wind. → Read More
Rebecca Keegan’s HWD Weekly newsletter. → Read More
The Oscars could eventually go to a streaming service, because, as some stakeholders believe, “TV is going nowhere.” → Read More
Rebecca Keegan’s HWD Weekly newsletter. → Read More
A credit for producer Jon Peters raises eyebrows in a post-#MeToo era. → Read More
The Academy is nixing a controversial plan to introduce a new popular-film category this year, but is still planning to roll it out in the future. → Read More
“In terms of people liking her, she had no time for it,” said McCarthy of spiky literary forger Lee Israel, who she brings to life in Can You Ever Forgive Me? → Read More