Philip Sherburne, Pitchfork

Philip Sherburne

Pitchfork

El Barcelonès, CT, Spain

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Recent:
  • Unknown
Past:
  • Pitchfork

Past articles by Philip:

Lia Kohl: The Ceiling Reposes Album Review

The Chicago cellist duets with scraps of radio and field recordings on her bold and strangely moving second record. → Read More

Heinali: Kyiv Eternal Album Review

The Ukrainian electronic musician collages a decade of field recordings into a moving tribute to the resilience of his hometown in wartime. → Read More

Róisín Murphy: “CooCool” Track Review

The Irish singer reunites with DJ Koze for a heart-eyed disco single about the birds and the bees. → Read More

Mioclono: Cluster I Album Review

The debut album from the duo of John Talabot and fellow Barcelona producer Velmondo spins a shadowy, subterranean web. → Read More

Arooj Aftab / Vijay Iyer / Shahzad Ismaily: “To Remain/To Return” Track Review

The trio’s collective chemistry shines through on their spellbinding first single together. → Read More

Khotin: Release Spirit Album Review

On a lively new album, the electronic producer is a master of atmosphere, creating a mood of childlike whimsy while teasing a future in dream-pop songwriting. → Read More

SHERELLE: “GETOUTOFMYHEAD” Track Review

Teaming up with I. Jordan for a split EP, the London DJ delivers a barnstorming track that combines pile-driving kick drums, woodblocks, and warm washes of synth. → Read More

Kassem Mosse: workshop 32 Album Review

German deep-house technician Gunnar Wendel’s new album for the Workshop label clears away the murk of his early work, achieving disorienting effects with its oddly pristine palette. → Read More

Strategy: Graffiti in Space Album Review

Turning his ear for imperfection toward dub techno, versatile producer Paul Dickow turns out six tracks that conceal worlds of activity under their grimy patina. → Read More

Nyokabi Kariũki: “Nazama” Track Review

The new single from the Kenyan composer’s debut album Feeling Body, which dwells on her experience with long COVID, radiates healing. → Read More

Tujiko Noriko: Cr​é​puscule I & II Album Review

Intimate yet cinematic, the Japanese musician’s new two-part album exchanges her colorful pop patchwork for soft, luminous ambient music of alien beauty and human warmth. → Read More

Forty Years In, Yo La Tengo Are Still Making It Up as They Go

… and that’s exactly how they like it. → Read More

Gold Panda: The Work Album Review

After six years, Derwin Dicker returns to his primary project for a lush, sun-drenched set with a genuine emotional charge. → Read More

Everything But the Girl: “Nothing Left to Lose” Track Review

Announcing their first album in 24 years, Tracey Thorn and Ben Watt channel the pathos and yearning that’s long made them so singular. → Read More

Maral: Ground Groove Album Review

On her third album, the Los Angeles artist weaves samples of Iranian music into a rugged blend of dub and industrial. → Read More

Stefan Goldmann

Reverb is the sole ingredient on the German-Bulgarian artist’s latest conceptual record, in which vintage pedals and digital processors are used to mimic the properties of sound in impossible spaces. → Read More

Ryuichi Sakamoto / Alva Noto: “The Sheltering Sky

The German electronic musician offers one of the most moving tributes to his longtime musical collaborator in a new anthology, striking a balance between the austerity and lyrical beauty of their two styles. → Read More

Katarina Gryvul: “Ocean” Track Review

Part of a compilation celebrating the third anniversary of the Kyiv club ∄, the Ukrainian musician’s song pairs stately choral harmonies with shredded digital processing. → Read More

Lotus Eater: Plasma Album Review

The latest collaboration from Luca Mortellaro and Seth Horvitz is a vision of techno as a luminous fog, conjuring vivid imagery with the most stone-faced drones. → Read More

Galcher Lustwerk: 100% Galcher Album Review

An understated landmark of underground house, Galcher Lustwerk’s 2013 DJ mix receives a remastered 2xLP release. His defiantly unchanging beats feel charged with the knowledge that every party ends. → Read More