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Ben Hecht helped invent modern American cinema—while he was making other plans. → Read More
David Denby writes about Norman Mailer’s reporting from the Republican and Democratic National Conventions in 1968. → Read More
On the centenary of his birth, a memoir captures what it’s like being raised by a man with mythic successes and long-held secrets. → Read More
David Denby writes about prohibitively expensive speakers, turntables, and other setups for listening to music. → Read More
David Denby has been a staff writer and film critic at The New Yorker since 1998. His first article for the magazine, “Does Homer Have Legs?,” published in 1993, grew into a book, “Great Books: My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World,” about reading the literary canon at Columbia University. His other subjects for the magazine have… → Read More
“Kaddish” is difficult because of its ideas—and its pounding insistence on putting those ideas across. → Read More
An annotated playlist of Arturo Toscanini’s greatest recordings, in honor of his hundred and fiftieth birthday. → Read More
No maestro was more revered—or more reviled. On the hundred and fiftieth anniversary of his birth, it’s time to give him a fair hearing. → Read More
No maestro was more revered—or more reviled. On the hundred and fiftieth anniversary of his birth, it’s time to give him a fair hearing. → Read More
David Denby reviews “Hell on Earth: The Fall of Syria and the Rise of ISIS,” a new documentary from Sebastian Junger to première on National Geographic. → Read More
David Denby reviews “Hell on Earth: The Fall of Syria and the Rise of ISIS,” a new documentary from Sebastian Junger to première on National Geographic. → Read More
At this year’s Consumer Electronics Show, I wondered whether this was a future that would provide happiness. → Read More
At this year’s Consumer Electronics Show, I wondered whether this was a future that would provide happiness. → Read More
The director of some of the biggest box-office hits ever is the subject of Molly Haskell’s “Steven Spielberg: A Life in Films.” → Read More
The director of some of the biggest box-office hits ever is the subject of Molly Haskell’s “Steven Spielberg: A Life in Films.” → Read More
Page by page, “Great Expectations” is less hearty than I remembered, and much funnier. → Read More
Page by page, “Great Expectations” is less hearty than I remembered, and much funnier. → Read More
David Denby on “Grit: The Power of Passion and Perseverance,” by Angela Duckworth, and the idea of measuring and rewarding grit in schoolchildren. → Read More
A best-selling new book promotes doing at the expense of being, and seems indifferent to originality or creativity or even simple thoughtfulness. → Read More
David Denby on censorship, Barbara Stanwyck in “Baby Face,” Mae West in “I’m No Angel,” Myrna Loy in “The Thin Man,” and Katharine Hepburn in “Holiday.” → Read More