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From the stage, to the gallery, to the concerto, they’re back → Read More
Tyrees Allen, Paula Plum, and Karen MacDonald. Photo by Maggie Hall Photography. ★★★★★ Here she is, boys! Here she is, world! Here’s Rose! And in Lucy Kirkwood’s extraordinary play The Children, this Rose shows up out of the blue at the ramshackle seaside cottage of two former colleagues ... → Read More
★★☆☆☆ In Max Posner’s The Treasurer, a middle-aged man who doesn’t love his mother—and seems to hate himself for it—finds himself in the position of having to take charge of her finances—and her life—as her mental and physical health declines. → Read More
Capturing the sophistication, craftsmanship, and sheer loveliness of Provence, the Rose Olivier line from Bastide is flawless in every sense of the word. → Read More
A journey into the mind of David Gammons is always a journey worth taking, even when the material isn’t as satisfying. → Read More
From, “You’re so fucking beautiful,” to, “OK, I’ll sign the divorce papers,” the play beautifully and succinctly captures the giddiness of new love through the ache of goodbye. → Read More
★★★★★ Inspired by the now infamous case of the Colorado baker who refused to bake a wedding cake for a gay couple, Bekah Brunstetter uses that basic conflict as a jumping off point for The Cake, which runs at the Lyric Stage until Feb 9. → Read More
Winter is not kind to our skin. Between the cold, biting air outside, the dehydrating heat inside, and the weeks-long spiral into (and out of) holiday indulgences of way too much food and liquor, the interminable stretch of winter months requires some additional care. → Read More
Ever since Cats premiered almost 40 years ago, it’s been the musical that people have loved to hate. But for as long as I can remember, Cats is a musical that I have loved to love. → Read More
They had style, they had grace. Alice Ripley gave good face. → Read More
★★★★☆ Moonbox Productions continues its impressive run of presenting complicated, adult musicals with more polish, professionalism, and nuance than most other companies in the Boston area, even those with more cash and more clout. → Read More
In fashioning a Moby-Dick musical that is true to both the scope and style of Melville’s novel, as well as to the challenges and climate of our world—and the ever-expanding potential of what theater can be—Chavkin and Malloy are creating groundbreaking work as if the future of the American theater is dependent upon it. → Read More
Buying skin care for other people is hard. Whether you’re looking for a few more ideas for yourself or that perfect slam-dunk for the hard-to-please in your life—and we’ve all got at least one—these beauty covetables will win every time, regardless of age, gender, or skin type. → Read More
AGATHA CHRISTIE’S MURDER ON THE ORIENT EXPRESS AT THE LYRIC STAGE ★★☆☆☆ Forget whodunnit, the bigger question is who cares. An ensemble cast of beloved local actors doing their best is what Murder on the Orient Express boils down to. → Read More
Your skin and my skin require the same nutrients to be its most healthy, its most balanced. That is fact, okay? … All skin requires the same nutrients to be its most healthy. → Read More
Boston’s larger stages don’t need to be more like the movies. They need to be more like the small stages. → Read More
It takes a special kind of vision to turn a long and boring Chekhov play into the most riveting, seductive, and inspired production of the season. → Read More
Perceptive, quirky, and laugh-out-loud funny, Edmiston’s production is just right. → Read More
There’s no shortage of sticky and sweet delights in David Lucey’s incessantly pleasurable production. → Read More
Who lives in a pineapple under the sea? Who cares. → Read More