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A critic tries to cope with age-related eye issues. Can he learn new tricks? → Read More
One man's path to putting cigarettes in the rear-view mirror, with help from CDs and books. → Read More
I bought a gift certificate from a local bookseller, writes Ed Siegel, and promptly lost it. Then, something strange happened. → Read More
"Quixote Nuevo" is an entertaining and engaging update of the Cervantes classic, says critic at large Ed Siegel. → Read More
Eats, arts, hikes and other things to do in Western Mass. → Read More
In fraught times, what's on the public's mind often pops up on stage. This year, there's been a noticeable shift toward shows for the underserved, the undocumented and the disadvantaged. → Read More
From pop-up videos and extended series to schoolgirls and hit women, critic-at-large Ed Siegel takes a look at the year on screen. → Read More
The manager scripted a narrative built on loyalty and doing the right thing. → Read More
At the end of the movie I remember my grim-faced grandmother saying, “Well, that isn’t what I expected.” Nor did anyone else in America, writes Ed Siegel. → Read More
SpeakEasy Stage Company has another winner with a Stephen Adly Guirgis play -- the Pulitzer-winning "Between Riverside and Crazy" -- says critic at large Ed Siegel. → Read More
The legendary musical alights in Boston and critic at large Ed Siegel sings its praises. → Read More
Jen Silverman's "Dangerous House" takes on the horrors of "corrective rape." → Read More
Critic-at-large Ed Siegel didn't venture to the Berkshires for the first 40 years of his life. But once he did, he couldn't stay away. Here are his favorite things to do in Western Mass. → Read More
Seeing the "un-restored restoration" of "2001: A Space Odyssey" at the Somerville Theatre now, critic-at-large Ed Siegel says he didn't want to go home and drop acid. But he may unplug his Alexa. → Read More
As it adds to and repositions its modernist collection and embraces more 20th and 21st century exhibitions and loans, the MFA is better reflecting the world outside its windows, says critic-at-large Ed Siegel. → Read More
Haruki Murakami dazzles with new short stories about "Men Without Women"; Naomi Alderman gives superpowers to teenage girls in "The Power." → Read More
Separating the art from the artist: Should we? Will the playwright, like Mel Gibson, be rehabilitated? → Read More
Not all the donors knew their money was going to the production. → Read More
Boston theater lovers appreciate the actor, and the man, behind hundreds of local productions. → Read More
The Boston Symphony Orchestra lights up with Lenny; the Lyric Stage and the Huntington roll along merrily with Steve. Critic at large Ed Siegel takes the musical measure of the composers. → Read More