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The British producer’s bubbly, refreshing latest record is a celebration writ small, music for a barnburner in a dollhouse. → Read More
Frank Ocean’s second new single blends casual sing-rap with striking vulnerability. → Read More
A review of an NYC stop of her String/Keys Incident tour → Read More
An excellent lyricist with a unique delivery, the singer is one to watch → Read More
The Danish producer’s latest is a blissful mini-suite → Read More
SY’s ninth record marked a new era for the band. While they didn’t leave the freaky stuff behind entirely, they started serving it up with a spoonful of sugar. → Read More
On licking my wounds and buying the overpriced Wicca Phase sweatshirt → Read More
Like a little magic trick, the drums never break on “Binz,” they just lay in the pocket, a circuitous tapping on the hi-hat, the warm-up to a soul explosion that never arrives. Instead, the beat simmers on low, a glorious, too-brief slice of song easy to overlook in the big stew that is Solange’s new album, When I Get Home. But you’d be smart to find track 14 and hit the repeat button where,… → Read More
The warm, beautiful tune comes from Octo Octa’s forthcoming EP. → Read More
One year after the rapper’s death, a conversation with the person who knew him best. → Read More
Zubin’s got a voice that makes you wonder what kind of bad stuff happened to him. That kind of quiver doesn’t come from anywhere good. But on this Philadelphian’s trap-emo-R&B witch’s brew of a song, he puts it to good use. “Stay Down,” from his upcoming Heavy Down Pour EP, is a sad guy’s triumph song. The beat, by Nedarb and Suicideyear, squeals like an alien transmission, but instead of… → Read More
How much minimalism can you take? → Read More
There’s a moment in most Lady Gaga songs where her voice’s power reaches another level. There’s a moment in the back half of Lady Gaga’s current hit “Shallow,” where she really starts to bellow and the song reaches another level. Big moments like that are arguably what make her the star she is. Lyzza may not have the same level of oomph as Gaga, but on her new EP Imposter she utilizes her own… → Read More
“Studio,” featuring a warbling verse by Young Thug, is timelessly, charmingly nasty R&B → Read More
The most excellent diss on Drake’s “Duppy Freestyle” is wordless. It comes early in the song, before he launches into line after line of saucy beef aimed back at Pusha-T after his references to Drake’s use of a ghostwriter on “Infrared,” released yesterday. “I’m in shock. The nerve. The audacity,” Drake says, thick with faux outrage. And then he lets loose a big old exasperated sigh. Do I really… → Read More
When there’s enough actual bad stuff to worry about in the world, it’s a nice escape to pretend sludge metal problems are the worst of them. → Read More
The quizmaster talks about the greatness of Open Mike Eagle, Landlady, and the Grateful Dead—and the awfulness of Smokepurpp. → Read More
The Best Picture nominee wouldn’t be the same without its soundtrack, in large part from the Italian director himself. → Read More
The Chainsmokers’ new song comes off more like a parody than a parable → Read More
The refreshingly blunt singer talks about dragging her exes in her songs, loving Limp Bizkit as a teen, and expressing the many emotions of black women. → Read More