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The Stroll is not just a chronicle of trans life and activism in the 1980s and ’90s, but also of urban “renewal” in the 21st century. → Read More
Rachel Lears’s new film To the End is optimistic, perhaps to a fault. → Read More
The director sat with Hyperallergic for a conversation about the making of his new film The Velvet Underground. → Read More
The Computer Accent follows the pop-dance band YACHT as they use AI to help compose their 2019 album Chain Tripping. → Read More
With Moonage Daydream, director Brett Morgen sought to let Bowie’s music and philosophy hit in a whole new way, immersing audiences in an IMAX experience. → Read More
Courtney Stephens's documentary on women's travels from the 1920s to '50s presents not just personal glimpses into daily life a century ago but also documents of colonialism. → Read More
Owen Kline’s directorial debut follows a privileged teenage artist who decides to impose some grittiness on his life to improve his work. → Read More
William Klein: YES, a career retrospective at the International Center of Photography, is good for aficionados and neophytes alike. → Read More
Despite faithfully recreating the story of the beloved comic book series, the TV show lacks the verve of the original. → Read More
Arriving amid increased anti-Asian racism and continuing discourse about the inhumanity of its prison system, this documentary is a strong historical gut punch. → Read More
At first, simply watching people read In Search of Lost Time might seem dull; by the end, you'll be itching to read or reread it yourself. → Read More
The documentary has impressive access to contemporary art world figures, but comes up with no good solutions for the many problems it discusses. → Read More
We Met in Virtual Reality raises the bar for VR filmmaking, and has an optimistic vision for the potential of the metaverse. → Read More
Another equally thrilling and smart ride from the rising director, subtly tackling intersecting ideas about “seeing” and “being seen” along the way. → Read More
Hyperallergic talks to historian Isaac Butler and curator Livia Bloom Ingram about how performance technique evolves and what is and isn’t method acting. → Read More
Aftershock, directed by Tonya Lewis Lee and Paula Eiselt, explains the disproportionate rate of Black maternal mortality in the US. → Read More
Stuffed with references to historical and contemporary film, Olivier Assayas’s miniseries version of his own 1996 film Irma Vep is sometimes too clever for its own good. → Read More
Set in remote Idaho, Bitterbrush is a satisfyingly different kind of Western. → Read More
Portuguese filmmaker Filipa César, whose work is the subject of an online retrospective hosted by Metrograph, seeks to help Bissau-Guineans preserve the memory of their revolution. → Read More
Made over the course of 30 years by special effects legend Phil Tippett, this stop-motion animated epic is a feast of creatively horrifying imagery. → Read More