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Richard Brody on the cultural importance of Turner Classic Movies and what its gutting by Warner Bros. Discovery, the channel’s parent company, portends. → Read More
Christopher Munch’s film about memory, old age, and death should have been a breakout; instead, it became a rarity. → Read More
This elaborate whirligig of a story has a powerful current of grief and an oppressive vision of governmental power. → Read More
Richard Brody on the American film publicist Helen Scott, her relationship with the French filmmaker François Truffaut, and her role in the French New Wave. → Read More
New films of extraordinary artistry are being pushed to the margins of the industry. → Read More
New films of extraordinary artistry are being pushed to the margins of the industry. → Read More
Ben Kingsley endows the painter with majestic self-absorption and twinkling delight. → Read More
The actor-director’s feature début is among the greatest of romantic comedies. → Read More
Abel Ferrara’s Italian period piece is scattershot but undeniably passionate. → Read More
“Bird in L.A.,” now available on vinyl and streaming, features Parker’s audacious artistry in a wide range of live settings. → Read More
Richard Brody reviews “The Little Mermaid” (2023), directed by Rob Marshall and starring Halle Bailey, Javier Bardem, Melissa McCarthy, and Jonah Hauer-King. → Read More
It may appear to be a political drama or a redemption arc, but it’s really an erotic thriller. → Read More
Kavich Neang’s “White Building” dramatizes private lives and public conflicts in contemporary Phnom Penh. → Read More
Richard Brody writes about the director Quentin Tarantino’s plans to retire after his tenth feature film, and about Steven Soderbergh’s (very active) retirement. → Read More
Richard Brody on “BlackBerry,” a movie that was co-written and directed by Matt Johnson, which follows the technology company that made the early smartphone device. → Read More
Wes Anderson’s “Asteroid City,” Greta Gerwig’s “Barbie,” Carlos Saldanha’s “Harold and the Purple Crayon,” and more. → Read More
The third installment of James Gunn’s franchise has little vision or visual interest. → Read More
After the viewing of Jerzy Skolimowski’s “Walkover,” I felt the sting of other rare masterpieces that should be part of cinematic history. → Read More
Richard Brody reviews Felix van Groeningen and Charlotte Vandermeersch’s film “The Eight Mountains,” which depicts a lifelong friendship between two Italian men. → Read More
Richard Brody writes about the boxing biopic “Big George Foreman,” directed by George Tillman, Jr., and starring Khris Davis, Sonja Sohn, and Forest Whitaker. → Read More