Jeremy D. Larson
Pitchfork
New York, United States
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Past articles by Jeremy:
The Dare: “Good Time” Track Review
Harrison Smith’s latest single is like fast food: good in a pinch and after hours. → Read More
Måneskin: Rush! Album Review
The Italian rock band has become a global sensation. Their new album is absolutely terrible at every conceivable level. → Read More
Alvvays: Blue Rev Album Review
The Toronto band’s third album is a triumph of power pop, a densely layered, blithe, and beautiful record that sets a new benchmark for the genre. → Read More
100 gecs: “Doritos & Fritos” Track Review
The scuzz-rock, ska-adjacent song comes from their upcoming album 10000 gecs. → Read More
Arcade Fire: “The Lightning I, II” Track Review
On the heart-racing first single from their sixth album, WE, Arcade Fire sound alive for the first time in years. → Read More
The War on Drugs: I Don’t Live Here Anymore Album Review
The fifth album from Adam Granduciel and co. chips away some of their hazier edges in favor of sharper melodies, broadening the borders of the meticulous yet joyously simple sound he has perfected. → Read More
Bleachers: Take the Sadness Out of Saturday Night Album Review
On his third album, the in-demand producer and solo artist ends up splitting his time between careful rock songwriting and carefree pop singing, leaving a minor impression of both in the process. → Read More
Faye Webster: I Know I’m Funny haha Album Review
There is so much depth to Faye Webster’s dazzling fourth album. It strikes a perfect balance between classic country stoicism and the sound of the saddest person you follow on social media. → Read More
Foo Fighters: Medicine at Midnight Album Review
Dave Grohl’s lawful-good lifestyle presents an eternal conflict between being unable to hate the guy and being unable to enjoy the music he continues to make. → Read More
Listen to “All Futures” by The Armed
The Detroit collective present their noisy, deranged vision on the first single from forthcoming Ultrapop. → Read More
Listen to “Laugh Now, Cry Later” [ft. Lil Durk] by Drake
The 6 God’s latest single, featuring Lil Durk, is luxuriously effortless. → Read More
Rage Against the Machine: The Battle of Los Angeles Album Review
Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the third album from the radical rap-rock band, their sharpest revolutionary screed dropped into the dead zone of 1999. → Read More
Listen to “Street Pulse Beat” by Special Interest
The New Orleans band are in full command of their glammy, no wave sound. → Read More
Herbie Hancock: Head Hunters Album Review
Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit Herbie Hancock’s jazz-funk masterpiece, a celebration of all that is modern and ancient. → Read More
Waxahatchee: Saint Cloud Album Review
With a shift in tone and tempo, Katie Crutchfield creates a vivid modern classic of folk and Americana. It’s the sound of a cherished songwriter thawing out under the sun. → Read More
RIYL: Tame Impala’s The Slow Rush
A playlist to match the era-spanning eclecticism of Tame Impala’s new album, featuring early ’80s R&B, French touch, prog, experimental synth music, and more. → Read More
Harry Styles: Fine Line Album Review
Harry Styles hides himself inside of a mystic pop-rock record that keeps us away from who he is as a songwriter and fledgling rock star. → Read More
Tool: Fear Inoculum Album Review
The prog metal band’s fifth album is exactly what you’d expect from a project over a decade in the making: a more mature, sometimes exciting collection that feels both overworked and undercooked. → Read More
black midi: Schlagenheim Album Review
The London guitar band’s debut is twitchy, hair-raising, always on the move. They harken back to a more esoteric era of indie with a magnetic and dazzling style. → Read More
The Best, Weirdest, and Most Revealing Moments on Radiohead’s OK Computer Sessions Leak
We combed through the 16 hours of raw material so you don’t have to. → Read More