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The rockers Paul Banks and Daniel Kessler meet up at a by-the-piece sushi joint between arena gigs to talk about adult stuff (Banks’s impending engagement) over adult food (nodoguro and o-toro). → Read More
“An editor is like a shrink,” was one of many Bennetisms. He was that, and a lot more. → Read More
Having survived trips to strip clubs and to Afghanistan, the legendary hockey trophy submits to fondling and copy-editing by the New Yorker staff, Nick Paumgarten and Sarah Larson write. → Read More
Britt Daniel and Jim Eno, from the Texas band Spoon, shot some pool to kill time ahead of a gig on “The Late Show with Stephen Colbert,” before COVID rearranged their plans. → Read More
A collection of articles about Letter From Daytona Beach from The New Yorker, including news, in-depth reporting, commentary, and analysis. → Read More
A collection of articles about Take Picture Part Ii from The New Yorker, including news, in-depth reporting, commentary, and analysis. → Read More
Marcia Resnick photographed the Blank Generation, punks, poets, and provocateurs, including Johnny Thunders, Gil Scott-Heron, Steve Rubell, and Roy Cohn. Finally, she’s getting a retrospective. → Read More
Nick Paumgarten on the Alpine skier Mikaela Shiffrin’s unforced error during the slalom event at Beijing’s 2022 Winter Olympics, and her collapse that followed. → Read More
Nick Paumgarten writes about “Torn,” a film by Max Lowe that centers on his mountaineering father’s death in an avalanche in Tibet; Conrad Anker, the man who survived the accident and married his mother; and his family’s process of healing after the tragedy. → Read More
A collection of articles about Monsters Of Rock Dept from The New Yorker, including news, in-depth reporting, commentary, and analysis. → Read More
The Dinosaur Jr. front man cycles around Central Park—he’s nearing five thousand miles for the year—and talks about Bob Dylan, stage dives, and his taxonomy of hugs. → Read More
A night out in Brooklyn with the psychedelic-punk band’s frontmen, Andrew Savage and Austin Brown, just before the release of their pandemic opus “Sympathy for Life,” which, naturally, was recorded before the pandemic. → Read More
Owsley Stanley, the legendary Grateful Dead soundman and LSD chemist, left behind thirteen hundred reels of live recordings from his sonic laboratory, including a newly released recording of the night Johnny Cash came to town. → Read More
The selection of Greg Epstein, a humanist rabbi, as the president of Harvard’s chaplains led to a small uproar among the school’s other religious leaders. Will it inspire a come-to-Jesus moment of the secular variety? → Read More
In the new report on sexual-harassment allegations against him, the Governor comes off as a combination of Howard Stern, Colonel Kurtz, and Macaulay Culkin in “Home Alone.” → Read More
A collection of articles about The Sights The Smells from The New Yorker, including news, in-depth reporting, commentary, and analysis. → Read More
Seeking shelter from the mega-fires and superstorms inside the psychedelic, Teletubby-evoking plastic-lemon-grove installation in midtown, contrived to disguise a giant construction shed. → Read More
In 1980, the whole city seemed to be on skates. I’m not sure why. → Read More
How Randall Poster and Josh Deutsch, childhood music-geek pals in Riverdale, curate the sounds for movies, ads, podcasts, and streamers like “One Night in Miami” and “The Queen’s Gambit.” → Read More
Miriam Linna, who recently published a five-pound book on the history of Fortune Records, keeps her apartment teeming with jukeboxes, magazines, and records made more for love than money. → Read More