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Wētā VFX studied the Oscar-nominated bear from “The Revenant” — and believe they surpassed it with their coke-fueled, rampaging, sympathetic Cokie. → Read More
After its impressive BAFTA triumph, Netflix’s German-language World War I epic could be a crafts juggernaut at the Oscars. → Read More
The "Top Gun: Maverick" sound team is the favorite to win Best Sound for emphasizing dynamics over the typical wall of sound. → Read More
Upstart Son Lux (“Everything Everywhere All at Once”) takes on the legendary John Williams (“The Fabelmans”) and wild card Volker Bertelmann (“All Quiet on the Western… → Read More
If frontrunner “Everything Everywhere All at Once” wins Best Picture,” look for it to break a five-year drought by taking at least one of four craft wins. → Read More
Wētā FX’s Chris White tells IndieWire about creating marine snow and a blue wall for Ryan Coogler’s favorite shot in the sequel. → Read More
“Elvis” is on track to add to Catherine Martin’s Oscar tally. → Read More
As one Oscar winner said of the “Elvis” DP: “She did a fabulous job, it would be well deserved. I think everyone would agree as well.” → Read More
Edward Berger’s anti-war epic and Baz Luhrmann’s delirious biopic each picked up six craft nods. → Read More
Edward Berger’s acclaimed anti-war epic has dominated Oscar shortlists and BAFTA nominations alike. → Read More
Saturday’s VFX bake-off raised the curtain on the significant role VFX played in the blockbuster sequel. → Read More
In seven out of the last 11 years, the ASC winner has won the Best Cinematography Oscar. → Read More
Shi tells IndieWire how she paved the way as a female visionary at Pixar with her Oscar contender. → Read More
Oscar-winning editor Tom Cross tells IndieWire how the party served as a microcosm for the movie, anchored by Justin Hurwitz’s jazzy score and Margot Robbie’s performance of a lifetime. → Read More
With no big studio shorts in competition, it’s a wide open race for indie and international contenders. → Read More
The VFX supervisor, who has led Weta’s cutting-edge advances since “Lord of the Rings,” sits down with IndieWire for a far-ranging conversation about his 10-year journey through “The Way of W… → Read More
"Everything Everywhere All at Once" snubbed, but the transformations of "The Whale," "Elvis," and "The Batman" are still in the running. → Read More
From Michael Giacchino to Michael Abels, a number of the best film composers working today were on their game in 2022 → Read More
Production designer Dylan Cole tells IndieWire how Payakan became a wondrous design challenge. → Read More
From the cockpit to the stage, in subterranean tunnels and miraculously lit stop-motion, there were no more arresting moving images than these. → Read More