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“Working for the Knife” may be short and bittersweet, but it leaves a lasting impression, a delicate sadness that washes over you for more than just a fleeting moment. → Read More
The band’s inclusion of plentiful growling synths as well as delicate piano, fast drum beats and muted yet vibrant vocals across the album don’t allow for a single boring moment that loses your attention. → Read More
The album's almost like watching a train wreck on psychedelics — it’s so mesmerizing that you can’t stop listening, no matter how horrifying it becomes. → Read More
Its sixth studio album hones the group's eclectic mix of time periods and their corresponding genres into a cohesive but unpredictable composition, largely with production help from Dan Auerbach of Black Keys fame. → Read More
Shatner doesn’t seem to realize that blues and spoken word are a combination that rarely produces enjoyable music. → Read More
With drive-in concerts, regular livestreams and possibly even a live album to tide fans over, Bayley feels that the intimacy of live shows is being compromised. → Read More
The record’s execution is near-flawless, balancing long, beautiful compositions with hectic, energetic performances. → Read More
With an influx of punk-variant bands, such as surf punk, pop punk, skate punk and more, the album is a reminder that before all of these subgenres, there was pure punk rock. → Read More
Accompanied by an intentionally offbeat piano melody, the song harks back to much-missed old-school hip-hop. → Read More
Music became a way for me to sort out my emotions and my identity — and what better way than to wax poetic with classic rock? → Read More
“As You Move Through the World” is a consolidation of all the electronic beat techniques the two have trialed over their music careers. → Read More
The album is a smooth melding of 1980s hip-hop sounds and the bumping bass drum beats Glover is known for. → Read More
But possibly one of the most legendary surprise drops ever is none other than Childish Gambino’s release of 3.15.20 on Sunday. → Read More
And while fans may have been excited to take a trip back to their childhoods, the pop-punk song inevitably fails to fully encompass the charm of the glory days. → Read More
'Color Theory,' her second record, doesn’t stray from her brand, but instead elevates it with a soft and low-key yet powerful and emotional atmosphere. → Read More
Two of the songs on the EP embody a strong African vibe, adding a splash of diversity to Disclosure’s release. → Read More
But apart from the love from its fans, Ceremony highlighted its musical chops with Farrar’s singing and Anzaldo’s multi-instrumental talent. → Read More
Various older members of Parliament-Funkadelic proved that they’ve still got it by playing extensive solos with a saxophone and guitar, keeping the audience in a trance the entire time. → Read More
Staying true to its whimsical name, the band fed the audience fun, improvised extensions of original songs, maintaining its drive for its second night in San Francisco. → Read More
With PREP’s smooth, futuristic music and incorporation of electronica coupled with soft sounds brought straight from the 1970s, it’s clear why the show was such a hit. → Read More