Kevin Lozano, The Nation

Kevin Lozano

The Nation

New York, United States

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Recent:
  • Unknown
Past:
  • The Nation
  • Pitchfork
  • The New Republic

Past articles by Kevin:

Rachel Aviv’s Report From Psychiatry’s Gray Zones

Her debut, Strangers to Ourselves, asks: Who shapes the story of someone's illness? → Read More

The Gilded Age of Magazines

The decline and fall of the glossy. → Read More

Adam Curtis’s Modern Discontents

In his new eight-hour epic, the British filmmaker offers a globe-trotting chronicle of our times. → Read More

Hari Kunzru’s Internet Thriller

Hari Kunzru’s ambitious new novel Red Pill plumbs the depth of right-wing and liberal ideas as it tracks one man’s descent into a web-induced mania. → Read More

Yves Tumor: Heaven to a Tortured Mind Album Review

The iconoclastic artist moves to a plush and magisterial kind of rock music for a gratifying and intense record, one whose pleasures are viscerally immediate. → Read More

A Witness to the Rise of Big Data

Anna Wiener’s Uncanny Valley offers an insider’s look into how Silicon Valley start-ups changed not just our economy but also our culture and politics. → Read More

Can the Internet Survive Climate Change?

How a warming world is sparking calls for a greener web → Read More

Lower Dens: The Competition Album Review

The sleek Baltimore synth-pop band's latest might be their most explicitly political and theoretical work, tackling nothing less than the socio-psychological ravages of capitalism. → Read More

Listen to Erykah Badu’s Cover of Squeeze’s “Tempted”

Badu, James Poyser, Thundercat, and others reimagined the ’80s hit for Record Store Day → Read More

“Do You Love Her Now” by Jai Paul Review

Jai Paul’s new song is part of a double B-side, the UK producer’s first new music in more than six years. → Read More

Jenny Odell and the Quest to Log Off

Can we escape the Internet? → Read More

Skee Mask: 808BB EP Album Review

Following last year’s thrilling Compro, the Ilian Tape label’s breakbeat-techno renegade returns with a three-track EP of club cuts that cleverly flip dancefloor expectations. → Read More

Various Artists: Powder in Space Album Review

On her first official mix album, the Tokyo DJ unveils an intricate, inspired playing style whose value system differs from the typical dancefloor mix. → Read More

Boy Harsher: Careful Album Review

A decade after minimal wave seemed to reach its peak, the Massachusetts duo proves the style’s continued vitality. → Read More

Félicia Atkinson / Jefre Cantu-Ledesma: Limpid as the Solitudes Album Review

The duo’s second collaborative album is an enveloping matrix of sounds both familiar and unfamiliar—a form of ambient music that refuses to recede into the background. → Read More

1010 Benja SL: Two Houses EP Album Review

On his debut EP, the Kansas City singer-producer shows off both his extraordinary voice and his remarkable facility for wringing maximum sentiment out of the most negligible nonsense phrases. → Read More

Dipset Announce Diplomatic Ties, First New Album in 14 Years

The Diplomats—Cam’ron, Jim Jones, Juelz Santana, and Freekey Zekey—are finally back together → Read More

Haruomi Hosono: Hosono House/ Paraiso / Cochin Moon / Philharmony / omni Sight Seeing Album Review

Though his international esteem is virtually nonexistent, this Japanese polymath pioneered a musical ethic of open borders and freewheeling hybridity, epitomized by five new reissues. → Read More

Shinichi Atobe: Heat Album Review

An unannounced album from the Japanese producer sounds as mysterious as ever, but his once chilly techno has warmed and deepened, and a communal, even celebratory spirit has come to the fore. → Read More

“Heat 1” by Shinichi Atobe Review

Atobe’s balmy house track promises a clearer head and better mood with each listen → Read More