Mark Rozeman
Paste Magazine
Los Angeles, CA, United States
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Past articles by Mark:
The 100 Best Vampire Movies of All Time
These blood-sucking creatures serve as one of horror’s most creatively flexible monsters. Besides ghoulish monsters, they can be charmers, warriors, sex symbols, sources of comedy, nihilistic philosophers and aliens. → Read More
The 100 Best Vampire Movies of All Time
These blood-sucking creatures serve as one of horror's most creatively flexible monsters. Besides ghoulish monsters, they can be charmers, warriors, sex symbols, sources of comedy, nihilistic philosophers and aliens. → Read More
V/H/S/2
In the years since The Blair Witch Project became a shocking box office sensation, the “found footage” horror film has become quite the popular format—albeit, with mixed results. For every Paranormal Activity , Troll Hunter or , there lies a Diary of the Dead , The Devil Inside or Paranormal Activity 4 just ready to negate all the good will those films have earned. Conceived and produced by… → Read More
Abbas Kiarostami, 1940-2016
We asked our writers to write about whatever they wanted to write about when it came to a specific experience with a specific Abbas Kiarostami film, hoping that in such freedom they could offer, in whatever way they pleased, a sample of the complex emotional experience that can be encountered in any one. → Read More
Halt & Catch Fire Review: “I/O”
All things considered, “I/O” ends up feeling less like a fully fleshed-out pilot episode than the expanded first half of one. → Read More
Marvel’s Agents of S.H.I.E.L.D. Review: “The Magical Place” (Episode 1.11)
“The Magical Place” promises to reveal the secrets of Colson’s resurrection. And it does—sort of. → Read More
Marvel’s Agents of S.H.I.E.L.D. Review: “Seeds” (Episode 1.12)
Lo and behold, “Seeds” sidelines a still traumatized Colson to a side mission while the rest of the team takes over the main storyline. Oh boy → Read More
The 10 Most Anticipated Comics of 2014
What the hell's going on in the comics industry right now? Really, guys: it's objectively nuts, and we mean that in the best way possible. Here are 10 comics we're particularly looking forward to. → Read More
Sleepy Hollow Review: "Pilot" (Episode 1.01)
There is a defining moment in the latter half of the Sleepy Hollow pilot. The Headless Horseman, having yielded a broad axe for a good portion of the episode, raids a gun cabinet and re-emerges armed to the teeth with an assortment of firearms, including a machine-gun that he brandishes in his hand like The Terminator. → Read More
Sleepy Hollow Review: "Blood Moon" (Episode 1.02)
As important as the pilot is for any new show, the subsequent follow-up installments serve an equally essential role. → Read More
Catching Up with Bill Burr
In anticipation of his performance at the Atlanta Tabernacle on April 12, Burr spoke with Paste about coming of age in the Boston comedy scene, the genius of Sam Kinison and the experience of working with Al Pacino and Christopher Walken. → Read More
Almost Human Review: “Perception” (Episode 1.10)
The opening of this week’s Almost Human contained some of the most arresting visuals in the show’s brief history. → Read More
Nemo: Heart of Ice by Alan Moore and Kevin O'Neill
Writer: Alan Moore Artist: Kevin O’Neill Publisher: Top Shelf Release Date: February 27, 2013 → Read More
Doctor Who Review: “Sleep No More”
This is the one story where The Doctor, for all intents and purposes, loses the battle. → Read More
A Monster Calls
Spanish filmmaker J.A. Bayona's A Monster Calls is something akin to a raw nerve, highlighting not only a period of great loss and grief but the point at which a boy’s childhood is forcibly shattered in favor of the complicated nuances of an adult world. → Read More
12 Marvel and DC Superheroes That Should Have Their Own Movie
We shine on a light on some of the heroes, antiheroes and teams that deserve to have the cinematic treatment. → Read More
Noah by Darren Aronofsky and Ari Handel Review
Noah presents a lush translation of Genesis 5:32-10:1 that melds the realism of The Wrestler with the surreal imagery of The Fountain. → Read More
Halt and Catch Fire: "The 214s"
Like “Landfall,” “The 214s” feels dramatically solid and emotionally honest in the way that other episodes frequently don’t. More impressively, it takes some of the weaker plot points of last week and makes lemonade out of them. → Read More
The 20 Best Film Threequels
In celebration of Iron Man 3, The Hangover Part III and Before Midnight, this list will shine a light on some of the greatest examples of the movie threequel. → Read More
The Big Short
The Big Short is an angry film. It’s also, unquestionably, a funny film, tempering its acerbic leanings by highlighting just how blatantly surreal the whole ordeal truly was. → Read More