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'We don't want to disturb our patron base by telling them that they'll have to share the space with other people. What I want to do is disturb the notion… → Read More
San Francisco native Lauren Yee's play about a Khmer Rouge survivor shows the absurdity of seeing any fellow human as anything but a brother. → Read More
The local theater community rallied around Erin Merritt to ensure she could direct 'Tea Party' by Gordon Dahlquist. → Read More
'Sojourner ZY' used a sci-fi trilogy by Chinese author Cixin Liu as a jumping-off point but soon departed from the source material. → Read More
Director Catherine Castellanos signals that here, in a crumbling monastery in the Central Valley village of Grangeville, the outside world is a distant land. → Read More
Toby Marlow and Lucy Moss' musical about the six wives of Henry VIII knows what it wants and how to get it. → Read More
Gusting winds twice stalled opening night of a new musical, by Lauren M. Gunderson, Bree Lowdermilk and Kait Kerrigan, about female Supreme Court trailblazers. → Read More
In American Conservatory Theater's West Coast premiere, S.F. native Christopher Chen sprinkles in clues and red herrings with the expert timing of a symphony conductor. → Read More
Has A.I. made the future for full-time human theater critics - about a dozen of us in the U.S. - bleaker still? → Read More
Other highlights coming to the San Jose Center for the Performing Arts include 'Ain't Too Proud' and 'Mean Girls.' → Read More
Playwright Cardid Svich trusts that her audiences can function in the world of metaphor and allusion. → Read More
'I decided I want to make the most Chris Chen play I could possibly make,' Christopher Chen said of ACT's 'The Headlands.' → Read More
Santa Clara native Carla Pantoja has worked with the 40-year-old company for two decades as teacher, director and actor. → Read More
'Everest: An Immersive Experience' might be best thought of as immersive animated opera film rather than immersive opera. → Read More
Claude Jackson Jr.'s world premiere is life-affirming without being sentimental, somehow hopeful without being unrealistic. → Read More
To playwright Dominique Morisseau's ace dialogue, director Dawn Monique Williams brings both micro and macro sensitivity. → Read More
Musical theater's tools only deaden the show, an adaptation of the 2004 movie written by Tina Fey. → Read More
Co-founder Michael Socrates Moran is making his playwriting debut with the company, with 'Exodus to Eden.' → Read More
The SF Sketchfest stand-up program distills the absurdities, burdens and outrages of walking through the world as a woman. → Read More
In Lynn Nottage's comedy, a sandwich shop is a kind of purgatory, a prison after workers get out of prison. → Read More