Diana Barth
The Epoch Times
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Past articles by Diana:
Theater Review: 'For Peter Pan on Her 70th Birthday'
NEW YORK—With "For Peter Pan on Her 70th birthday," playwright Sarah Ruhl has fashioned a paean to her mother, who once played Peter Pan many years ago in → Read More
Theater Review: 'The Aran Islands'
Irish Repertory Theater brings to life "The Aran Islands," written by J.M. Synge, known for his play, "The Playboy of the Western World.” → Read More
Theater Review: 'Death Comes for the War Poets'
NEW YORK—Britishers Siegfried Sassoon and Wilfred Owen were arguably the greatest war poets of World War I. Playwright Joseph Pearce has created a theater → Read More
Theater Review: 'The Government Inspector'
"The Government Inspector" is a hilarious comedy, beautifully cast and acted. → Read More
Theater Review: 'The Lucky One'
Family conflicts are always of interest—we all come from families—and sibling rivalry rates high on the list of such conflicts. "The Lucky One" does not disappoint. → Read More
Theater Review: 'In and of Itself'
"In and of Itself" was at times mesmerizing, and never less than interesting. → Read More
Theater Review: 'Present Laughter'
NEW YORK—A slight change in the punctuation of Noël Coward's work "Present Laughter" might result in "Present: Laughter"—and in this case the present, or g → Read More
Theater Review: 'Mourning the Living'
NEW YORK—Mickele Hogan's "Mourning the Living," now at the Dorothy Strelsin Theatre, deals with a crucial issue that has seldom been dealt with in a drama: → Read More
Theater Review: 'The Emperor Jones'
Irish Repertory Theatre has brought about a stunning rendition of this important theater work. → Read More
Theater Reviews: 'Picnic' and 'Come Back, Little Sheba'
Transport Group Theatre Company is presenting an extraordinary duo of William Inge's "Picnic" and "Come Back, Little Sheba." → Read More
Theater Review: 'The Price'
"The Price," like all of Arthur Miller's works, is imbued with richness and humanity. → Read More
Theater Review: 'If I Forget'
Steven Levenson's new play "If I Forget" deals with whether a family should hold on to tradition and what defined them as a people or move on. → Read More
Theater Review: 'Dear Elizabeth'
“Dear Elizabeth,” by Sarah Ruhl, proved to be one of the most moving and fascinating theater pieces I’ve experienced in a very long time. → Read More
Theater Review: 'The New Morality'
“The New Morality” offers an interesting insight into behaviors of the upper class in England circa 1911. → Read More
Theater Review: 'Antigone'
Stark, severe, uncompromising, dark—these are the qualities imbued by director Ivo van Hove into his production of “Antigone.” → Read More
Theater Review: 'Africa My Beautiful'
Thuli Dumakude and Tanyaradzwa Tawengwa provide a nuanced musical and spoken presentation of the worlds each inhabits, in "Africa My Beautiful." → Read More
Theater Review: 'The Weir'
The Irish Repertory Theatre's current revival of Conor McPherson's "The Weir" is its greatest contribution to Theater—with a capital T. → Read More
Theater Review: Gloria
“Gloria” depicts the world of publishing as rife with back-biting, competition, and greed. → Read More
Theater Review: 'Cagney'
"Cagney," a musical about the life of movie superstar James Cagney, was a labor of love for performer Robert Creighton. → Read More
Theater Review: 'Nice Girl'
In "Nice Girl" Josephine (Diane Davis), in her late 30s, still lives with her mother Francine (Kathryn Kates), and Jo's not happy about her situation. → Read More