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The tales of seven residents of Charlotte’s Aldersgate retirement community personalize eventful moments in time from the Jazz Age of the 1920s to present day in this McGlohon Theater performance. → Read More
Hope Muir, Charlotte Ballet’s first new artistic director in two decades, is off to a fast start as the 2017-18 season approaches. → Read More
Disney’s new live-action “Beauty and the Beast” includes a gay character. Reactions have been mixed. Here’s what actually is in the movie, from someone who has seen it. → Read More
Christine Darden, who grew up in Union County, North Carolina, became one of the groundbreaking African-American women working as human computers at NASA in the 1960s. → Read More
South Carolina artist Leo Twiggs has made nine batiks to commemorate the victims of Dylann Roof’s assault on Emanuel AME Zion Church in Charleston. They tell a powerful story at the Mint Museum on Randolph Road through Feb. 19. → Read More
Hugh McColl’s donation to Charlotte Ballet enables Jean-Pierre Bonnefoux to oversee a complete makeover of the beloved holiday show “The Nutcracker” → Read More
What happens when serious injuries steal an artist’s art? For former Charlotte Ballet principal dancer Emily Ramirez, reinvention – and a national tour. → Read More
I loved Shakespeare from the day I saw “Julius Caesar” at 14. (You’ve gotta see one of his plays first; you can read them later, when you understand his style.) → Read More
What New Frequencies aims to be: Cheap. Cutting-edge. Crucial. Cool. → Read More
The new series at McColl Center for Art + Innovation is titled “New Frequencies.” It might be more accurate to say new infrequencies, though: You’re unlikely to see these events anywhere else that doesn’t involve a long drive, a plane ticket or a trans-Atlantic voyage. → Read More
“Mockingjay – Part 2” has the technical polish and competent acting of the four-film series, though less of the intensity. It contains not a single surprise and ends with a “That’s it?” anticlimax faithful to the book, though it doesn’t amount to much onscreen. → Read More
The James Bond films celebrate a strange kind of 50th anniversary this year: “Thunderball,” which came out in 1965, marked the last time three good Bonds were released in a row. (It followed “From Russia With Love” and “Goldfinger.”) → Read More
One of my favorite lines from a science fiction film pops up early in “The Martian,” as stranded astronaut Mark Watney tries to solve one of many daunting obstacles to survival on the red planet. → Read More
In “The Visit,” we get a big buildup with a tiny payoff, a mystery whose “twist” ending comes as no surprise, well-crafted direction and clunky writing. → Read More
Entertaining mayhem and infuriating babble compete for your attention, with the latter winning by a large margin. → Read More
In the sequel, the talking bear attempts to prove he has the same rights as a human being. The jokes are funnier, but the overall effect isn’t as strong. → Read More
When a Belgian Malinois trained to search for weapons comes back to the States with PTSD, the family of its former handler helps it readjust. Noble idea but consistently lame execution. → Read More
Animated story about the inside of an 11-year-old girl’s brain may be the best feature Pixar has produced. → Read More
Film remains true to its roots in the TV show about a young movie star and his posse: It sets agreeable actors in a world unknown to most of us and provides undemanding laughs. → Read More
Joss Whedon’s superior sequel to “The Avengers” takes the story not just further but deeper. → Read More