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Ruben Ostlund walked away with his second Palme d'Or, whereas Park Chan-Wook was adjudged the Best Director for Decision to Leave. See the complete winner's list. → Read More
Boy from Heaven is a critique of how religion and politics are at loggerheads. Director Tarik Saleh says he was not sure whether the film would be screened in Egypt. → Read More
Cinema world over is stepping into dangerous territory. It is being seen as morally debased. → Read More
Ajeeb Daastaans . → Read More
After weeks of uncertainty, the Cannes Film Festival has said that its 2021 edition would take place from July 6 to 17 – almost two months after its traditional mid-May slot. → Read More
Bhoomi . → Read More
Maara . → Read More
'Bard of Blood' premieres on Netflix starting Friday, September 27. Read our complete review of the espionage-thriller here. → Read More
Planning to watch 'Firebrand' on Netflix this weekend? Read our review here. → Read More
Manto, which premiered at Cannes last May, is now travelling to Busan and London. → Read More
The Day I Lost My Shadow picked the Lion of the Future Award for Young Moviemakers at Venice early this month. → Read More
Played with a touch of realistic brilliance by Nawazuddin Siddiqui (who has an uncanny resemblance to Manto), the movie premiered at the prestigious Cannes Film Festival last May. → Read More
Planning to watch U Turn this weekend? Read our review first. → Read More
There has been sudden revival of interest in the Tate case, with Quentin Tarantino now shooting Once Upon A Time In Hollywood with Brad Pitt and Leonardo DiCaprio in it. → Read More
Two Indian works are part of the Festival's sidebars: Rai Anil Barve and Adesh Prasad's Tumbbad and Ivan Ayr's Soni. → Read More
Nayanthara is excellent in scenes where she has to bring out the innocence of her character. Here's our movie review of Kolamavu Kokila. → Read More
Kamal Haasan is one of the most versatile actors in the country, but he misses the target by a mile in Vishwaroopam 2. Here’s our movie review. → Read More
The film has more madness rolling in – and all in the name of entertainment, replete with dances and songs which stick out like sore thumbs. → Read More
Heavy and pedantic, Kadaikutty Singam is an exaggerated, messy work, and completely out of touch with modern times. → Read More
A Northbridge Capital Asia report contends that the Indian movie industry, which produces around 2000 films in many languages every year, loses 14 percent of its revenue to video piracy. → Read More