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Ann and Jeff Vandermeer discuss talking animals, the weird/fantasy divide, and the ‘rate of fey’ as an organizing principle in their new anthology of classic fantasy. → Read More
Leder’s film mostly devotes itself to the future Supreme Court justice’s first world-shaking sex discrimination case, 1972’s Moritz v. Commissioner of Internal Revenue: Ginsburg and her husband ... argued against a discriminatory statute before the 10th Circuit Court of Appeals → Read More
Hollywood now begrudgingly must honor a company committed to upending the business model of theatrical distribution, but it’s hard to gainsay Netflix’s strategy in this instance → Read More
The art houses and Drafthouses again pull more than their fair share of the burden of quality, but my No. 2 (and many people’s No. 1) is a straight-up Netflix production, already available to watch on your phone → Read More
The movie experiences I treasure most from this year found me sharing moments and laughs and tears with strangers who, just before and after the house lights dimmed, I might have been arguing with on Twitter → Read More
The movie experiences I treasure most from this year found me sharing moments and laughs and tears with strangers who, just before and after the house lights dimmed, I might have been arguing with on Twitter → Read More
Hollywood now begrudgingly must honor a company committed to upending the business model of theatrical distribution, but it’s hard to gainsay Netflix’s strategy in this instance → Read More
At times, as it dissolves between scenes of its cast as literal toy dolls machine-gunning Nazis in the made-up Belgian town of Marwen, Zemeckis’ movie seems an inquisition into the limits of the director’s own imagination → Read More
The art houses and Drafthouses again pull more than their fair share of the burden of quality, but my No. 2 (and many people’s No. 1) is a straight-up Netflix production, already available to watch on your phone → Read More
The art houses and Drafthouses again pull more than their fair share of the burden of quality, but my No. 2 (and many people’s No. 1) is a straight-up Netflix production, already available to watch on your phone → Read More
Don’t look to Vice for psychology or even a sense of presence; McKay uses the Cheneys’ grim unknowability as an excuse not to bother going for either → Read More
Hollywood now begrudgingly must honor a company committed to upending the business model of theatrical distribution, but it’s hard to gainsay Netflix’s strategy in this instance → Read More
Leder’s film mostly devotes itself to the future Supreme Court justice’s first world-shaking sex discrimination case, 1972’s Moritz v. Commissioner of Internal Revenue: Ginsburg and her husband ... argued against a discriminatory statute before the 10th Circuit Court of Appeals → Read More
Don’t look to Vice for psychology or even a sense of presence; McKay uses the Cheneys’ grim unknowability as an excuse not to bother going for either → Read More
At times, as it dissolves between scenes of its cast as literal toy dolls machine-gunning Nazis in the made-up Belgian town of Marwen, Zemeckis’ movie seems an inquisition into the limits of the director’s own imagination → Read More
At times, as it dissolves between scenes of its cast as literal toy dolls machine-gunning Nazis in the made-up Belgian town of Marwen, Zemeckis’ movie seems an inquisition into the limits of the director’s own imagination → Read More
True to the spirit of the chipper, somewhat aimless live-action Disney day killers that inspired it, Rob Marshall’s Mary Poppins Returns gets better the further it wanders from its actual story. → Read More
Not incidental to Aquaman’s pleasures is its vision of a mixed-race hero, played by a mixed-race actor, fighting to protect and understand clashing aspects of his heritage → Read More
True to the spirit of the chipper, somewhat aimless live-action Disney day killers that inspired it, Rob Marshall’s Mary Poppins Returns gets better the further it wanders from its actual story. → Read More
True to the spirit of the chipper, somewhat aimless live-action Disney day killers that inspired it, Rob Marshall’s Mary Poppins Returns gets better the further it wanders from its actual story. → Read More