Sezín Koehler
BlackGirlNerds🏳️🌈
Lantana, FL, United States
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Past articles by Sezín:
Who Gets to Be an Antihero: A Primer on White Devilry in Visual Media
White antiheroes are afforded the opportunity to be humanized for their sometimes terrible deeds. → Read More
Review: These Violent Delights Have Survivalist Ends in ‘Westworld’ Season 4
All four seasons of Westworld are streaming on HBO and HBO Max. → Read More
Review: ‘Orphan: First Kill’ is a Campy Slasher Prequel With Uncomfortable Shades of Ableism
'Orphan: First Kill' is streaming on Paramount+ starting from August 19, 2022. → Read More
It Does Not Belong in a Museum: Indiana Jones’ Colonizer Legacy
What we do need is for museums to return all the items they've looted from around the world → Read More
‘Flowers in the Attic: The Origin’ is the Nuanced Adaptation VC Andrews’s Fans Have Waited Decades to Experience
'Flowers in the Attic: The Origin' is streaming on Lifetime TV and Lifetime Movie Club. → Read More
The End of More Than Just Reproductive Rights in the USA
Overturning Roe v. Wade is an open war on the bodily autonomy of anyone who can get pregnant. → Read More
On its 35th Anniversary ‘Dirty Dancing’ Still Breaks the Mold on Realistic Abortion Representation
As the battle for Roe v. Wade continues, let’s remember that the actual heroes of this story are Penny and Dr. Houseman. → Read More
In Defense of Racebending ‘Cloud Atlas’ on Its 10th Anniversary
On its 10th anniversary, Cloud Atlas is humanism at its most poignant and a manifesto in its own right → Read More
‘The Lost Boys’ through a ‘Dracula’ Lens Highlights the Film’s Queer Subtext On Its 35th Anniversary
The Lost Boys has long been recognized as an essential example of queer horror, but for anyone still on the fence here are some final nails in the coffin of the theory. → Read More
‘Bram Stoker’s Dracula’ Honors its “Found Footage” Legacy on its 30th Anniversary
Coppola blazed a new trail for Dracula stories by fully leaning into Stoker’s novel → Read More
Review: ‘Euphoria’ Season 2 Continues Normalizing Male Full Frontal, While Exploring Sobriety’s Dark Side
Season 2 of 'Euphoria' continues working overtime to normalize male full-frontal on screen. → Read More
‘Mare of Easttown’ Continues Media Obsession with Dead and Missing White Women (and Humanizing Bad Cops)
'Mare of Easttown' is disturbing for all the wrong reasons even before we get to how it handles race on screen. → Read More
‘Promising Young Woman’: Not a Revenge Movie That Honors Sexual Assault Survivors
'Promising Young Woman' is not actually a rape revenge tale at all → Read More
Blumhouse’s “Freaky” Is the Future of Feminist Horror
“Freaky” explores gender and body horror in a captivating (and extremely funny) way. → Read More
On Its 40th Birthday, ‘Friday the 13th’ Warns of the Dangers of Unresolved Trauma
On its 40th birthday, let’s use Friday the 13th as a cautionary tale about what happens when we let our sadness, grief, and trauma rot us from the inside out, instead of confronting and healing it. → Read More
Michaela Coel's 'I May Destroy You' Establishes a New Paradigm for Social Justice Television (and Life)
'I May Destroy You' is indeed a rebirth for all survivors, and an entirely new paradigm for social justice television going forward. → Read More
When Good Cops are Still Bad Apples: The Unlikely Cases of ‘Magnolia’ and ‘Bridesmaids’
Let’s look at two unlikely copaganda stories: The delightful romcom 'Bridesmaids' and intense ensemble drama 'Magnolia'. → Read More
30 Years Later, the Rental Anti-Blackness in ‘Pacific Heights’ Remains a Troubling Social Problem
'Pacific Heights' that remains painfully evergreen: the implicit anti-Blackness of landlords and the rental industrial complex. → Read More
‘In Bruges’: A Tale of Self-Isolation Gone Wrong
BGN reviews the 2008 neo-gothic dark comedy thriller 'In Bruges'. → Read More
In 25 Years We've Moved Closer to the 'Tank Girl' World
2020 continues to be a complete and total trash fire of a year and 'Tank Girl' predicted why. → Read More